建築的支撐結構必定存在空間中，從垂直向的柱、牆，到平行向的樑、版，如何與空間中的結構和諧共存一直是個在進入空間前的提問，各式各樣的設計形式與工法應運而生。因此這次的作品試圖以建築空間中的結構來作為「起點」，並以「透析」的姿態來作為我建構的方式。
「柱體」透過將視覺可見的矩形體輪廓消去，只留下木頭的層板來預示柱體的範圍，結構則以透明的玻璃容器來作為層疊的基礎。玻璃容器是為了裝載「物」而被製造，容器內部的空缺正是它存在的價值，而外部的玻璃厚度則是它作為「體」不可或缺的結構存在。
「蜿蜒一公里的距離」則是模擬磚牆牆面的建構，但透過將紅磚的消去，只留下磚與磚間的填縫厚度，矽膠材質的轉換則是想在保留填縫的輪廓之餘，還能使其結構產生癱軟或歪斜的鬆動。
如果說縫隙或輪廓體的厚度能支撐及建構起什麼
可以是有結構力的柱子，可能也無法撐著什麼，取決於你對縫隙的想像
像平攤的紙張薄的細微，但捲起來卻可以成為圓柱體
The supporting structures of architecture inevitably exist within space, from the vertical pillars and walls to the horizontal beams and boards. How to harmoniously coexist with structures within space has always been a question posed prior to entering a space, leading to the emergence of various design forms and construction methods. Therefore, the worksfeatured here endeavor to use the structures within architectural space as “starting points”, and employ a “dissection” approach as my method of construction.
Pillars eliminates the visible rectangular outline of the pillar by leaving only the wooden layers to indicate its scope. The structure is based on transparent glass containers as the foundation of the layers. Glass containers are manufactured to contain “thing”, and the void within containers constitutes their intrinsic value, while the thickness of the external glass is indispensable for its structural existence as a “body”.
If the thickness of gaps or contours can support and construct something, it could be a structurally robust pillar, or it may not support anything; that would depend on one’s imagination of the gaps, as thin as paper spread out, but which can be rolled up to form a cylindrical body.
蜿蜒一公里的距離 矽膠、壓克力、水泥、紅磚 依場地裝置而定（矽膠：220x12x90cm，水泥球：∅11cm）. 2024
The Serpentine Distance of One Kilometer Silicone, acrylic, cement, red brick. Dimension variable ( Silicone:220x12x90cm, cement ball:11cm)
柱體 Pillars 玻璃、木頭、壓克力、不鏽鋼. Glass, wood, acrylic, stainless steel 86 x 126 x 252 cm. 2024
