深度還原
2023年在駁二駐村時，觀察到駁二倉庫群因爲都市環境的再造，建築功能的轉變，因此牆上有許多後來疊加上去的修補痕跡，被填補起來的窗戶孔洞、雨遮打掉後修補的痕跡、牆上鎖孔的填補，不同時期人為的修補攪和著自然的風吹日曬，形成了佈滿質感的牆面。
將我所看到牆的平面作為「起點」，透過修補的痕跡作為「素材」，試圖來推敲出牆面內裏的樣態。而將平面痕跡的深度還原過程，如同海洋中島嶼的創生，只是島嶼是由內向外增生，建築痕跡的深度還原是由外表像內部前進。
Depth Recovery
When I was in residency at Pier-2 Art Center in 2023, I observed the transformation of the Pier-2 warehouses due to urban redevelopment and changes in architectural functions. Consequently, the walls exhibited numerous overlaid patches and traces – filled-in window openings, marks from removed rain shelters, and patches over lock holes on the walls. These human-made repairs, mingling with the natural effects of wind and sunlight over different periods, created a wall surface rich in texture.
Taking the flat surface of the wall as the 'starting point,' I aimed to explore the patterns within the wall through the traces of repairs as 'materials.' The process of depth recovery from the planar traces is akin to the creation of islands in the ocean, except here, islands grow from the inside out, contrasting the outward progression of architectural traces' depth recovery from the surface.
設定不同深度的藍 不鏽鋼、PVC帆布、壓克力 依場地裝置而定. 2024
Setting varying shades of blue Stainless steel, PVC canvas, acrylic. Dimension variable.
藍圖 # 03 Blueprint # 03 數位微噴、PVC帆布. Digital giclee, PVC canvas 21 x 15cm. 2024
藍圖 # 02 Blueprint # 02 數位微噴、PVC帆布. Digital giclee, PVC canvas 30 x 21cm. 2024