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​頻寬

 

把無數個點疊加在一起,點就會連成一條線

把數個字組合在一起,單字就會形成句子

把無數個圓球依路徑來排列,圓球就會形成管道

管道裡挾帶著我們的日常、話語及信息,穿梭於空間中

 

埋藏於建築空間中的管道與線路,如同建築的經絡和血脈,在橫豎交錯的排列中,傳遞著訊息、能量,還有流通的空氣,使空間中充滿能動的量能。傳遞的過程中,必須為了那些將到的信息空出時間、安排路徑,因此管道也預示著建築空間中的使用型態。透過對空間及管道的非功能性再製,彷彿藉著一次次的重新排列來探尋著建築的內裏和記憶。

在廊道特性的空間中,觀眾會照著預設的路徑往返,視覺也在前進的過程不斷變動,透過這個特性,將鏡面不鏽鋼板及翻製的水泥地面安裝於牆面上,試圖來塑造兩種不同對於空間「內部」的狀態,實體內部指的是掀開表面的不鏽鋼板所露出建築內裏的質地,鏡像內部則是由映射所產生空間的延伸。移動的過程,除了鏡像與實體的相互交疊外,觀眾自身的影像也被映射於牆面中,自身的在場成為了空間的一部份。儘管鏡像的映射是轉瞬的,但影像的截取還是取決於觀眾的視角,一個相對於內部(映射影像)的「外部」視角。

 

 

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<陳肇彤當代雕塑的語法實踐:是句法而非單詞> 

王品驊,非畫廊 | Beyond Gallery,2022

Bandwidth

When innumerable points are connected together, the points can form a line.

When a number of words are put together, the words can make a sentence.

When countless balls are arranged along the route, the balls can construct a channel.

The channel carries our daily lives, words and messages, and travelling through the space.

 

The channels and lines lying hidden in the architectural space are like the meridians and blood vessels of a building, and conveying messages, energy and circulating air in the staggered arrangement while making the space full of dynamic capacities. In course of conveyance, it is necessary to free up time and arrange the route for those oncoming messages. Hence, the channel also indicates the usage pattern of the architectural space. Through the nonfunctional reproduction of the space and channel, it seems to explore the interior and memory of the building by rearranging it over and over again

 

In the corridor-like space, the audience will follow the pre-established route and move to and fro. What they see will constantly change while moving along. Through the property of corridor, the mirror polished stainless steel sheets and reproduced concrete floor are installed on the walls, which attempts to create two different states of space’s “interior”: substantial state signifies the texture of the building’s interior by taking the stainless steel sheets away from the surface, mirror state refers to the extension of the space produced by reflection. Apart from the overlapping of mirror and substantial states, the audience’s own images are also reflected on the walls, and their presence becomes a part of the space over the course of movement. Even though mirror reflection is instantaneous, the capture of the images depends on the audience’s perspective, an “exterior” perspective relative to the interior (reflected images).

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頻寬221    不鏽鋼、壓克力、鏡面貼膜、燈光裝置   依場地裝置而定. 2022

Bandwidth    Stainless steel, acrylic, mirror film, lighting devices.   Dimension variable.   2022

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頻寬222   Bandwidth 222

不鏽鋼、壓克力、鏡面貼膜、碳粉

Stainless steel, acrylic, mirror film, toner

依場地裝置而定.  Dimension variable.

2022

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©2022 by Chao-tung CHEN

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